The trade’s most prestigious furnishings manufacturers flaunted their wares to an adoring crowd of design fanatics, architects and inside designers who thronged the cavernous halls of Salone del Cell 2025. Here’s a curated record of essentially the most visionary reveals and installations redefining luxurious interiors this yr.
Cassina
Cassina commemorated the sixtieth anniversary of its partnership with Le Corbusier, Pierre Jeanneret and Charlotte Perriand with its “Staging Modernity” show throughout Milan Design Week 2025. The primary 4 furnishings fashions Cassina created from the trio’s 1929 concepts, which have been first displayed on the Salon d’Automne in Paris, are being reintroduced on the restored Teatro Lirico Giorgio Gaber. Cassina and Kiton created a novel material to ship limited-edition items which are obtainable in 120 items globally. Kiton’s mixture of blue and burgundy produces two bi-colour variations of the armchair. Le Corbusier, Perriand and Jeanneret’s design philosophy, which believed that color was essential to defining spatial concord, is mirrored on this color choice.
One of the best Mongolian farms present the fibre for Kiton’s wool manufacturing facility. A big development in design manufacturing was made when Cassina’s R&D crew, working with historians, painstakingly examined the unique blueprints to carry these handcrafted objects into industrial manufacturing. Architect Andrés Jaque, artist Feifei Zhou and thinker Emanuele Coccia all contributed to the much-discussed exhibition organized by Formafantasma and directed by Fabio Cherstich. This interdisciplinary method strengthens Cassina’s place in creating up to date design narratives by highlighting the corporate’s dedication to fusing historic authenticity with fashionable innovation.
B&B Italia
A complicated growth of Patricia Urquiola’s authentic 2005 design, the Tufty-Time 20 was unveiled by B&B Italia to mark the twentieth anniversary of the famend Tufty-Time sofa. With extra padding and a thicker Dacron layer between the material and polyurethane core, this revised modular system improves consolation with out sacrificing its distinctive deep-sitting and low-slung profile. The seat top is barely raised to create higher ergonomics.
The curved module is a noteworthy characteristic that broadens the vary of configuration choices to incorporate rounder designs acceptable for industrial and residential settings. A brand new chenille material with a bouclé look is now obtainable for the couch, including a component of magnificence to the general appear and feel. The Tufty-Time 20 emphasises sustainability by being wholly disassembled, which allows the recycling or reuse of its elements on the finish of its helpful life. Along with the couch, B&B Italia has launched a line of espresso tables that work in unison with the modular system.
Minotti
Picture: Ciatdesign.com
Minotti debuted a vibrant assortment at Salone del Cell 2025 that skillfully combines fashionable design sensibilities with traits harking back to the Seventies. 5 famend design studios—Research MK27, Giampiero Tagliaferri, Hannes Peer, Nendo and GamFratesi — contributed to the presentation. Every contributed a special viewpoint, creating 5 distinctive settings that showcase Minotti’s dedication to creativity and craftsmanship.
With an emphasis on cosy, welcoming areas marked by embracing curves and cautious materials choice, the exhibition sought to enchantment to seasoned followers and a youthful viewers. This technique demonstrates Minotti’s dedication to altering its design language with out sacrificing the magnificence and high quality which have come to outline the model. For the 2025 assortment, Minotti demonstrated its capability for innovation and adaptation, guaranteeing its continued relevance in fashionable furnishings design.
Moroso
Moroso debuted its “Regular / Non-Regular” assortment at Salone del Cell 2025, a daring investigation of design that questions established conventions. In keeping with this topic, “regular” is what we think about appropriate, safe and sensible in life; it’s an invite to defy expectations. However Moroso additionally offered a counter-movement through which a brand new design language melded with the “regular” issues by way of the “non-normal” facets of polymorphic, fluctuating forces. Progressive items from this assortment embrace the “Gruuvelot” couch, which has an natural form and was impressed by the “morphing” that happens in lots of dwelling, pure issues. The free-spirited environment of the Seventies, with its flowing form and dynamic modularity, served as one other inspiration. In distinction to standard strategies, Patricia Urquiola’s design for the couch’s material makes use of a water-based printing approach that reduces water use by 90 % and greenhouse fuel emissions by as much as 80 %.
Moroso’s Clay armchairs sport shimmering ceramic metallic backrests, designed by Zanellato/Bortotto. Picture: Moroso.
The “Clay” armchair by Zanellato/Bortotto, which is the opposite noteworthy merchandise from Moroso 2025’s assortment, has a particular backrest composed of slabs and skinny sheets of ceramic materials manufactured by artists who’re solely discovered within the city within the Veneto space of Italy. The cushioned, luxurious armchair boasts a placing backrest that gleams due to its priceless glazing methodology.
Molteni & C
By a number of rigorously chosen installations, Molteni&C demonstrated its dedication to design innovation and legacy at Salone del Cell 2025. New items like Vincent Van Duysen’s Aria desk and Linea armchair, GamFratesi’s Lia armchair, Christophe Delcourt’s Emile couch and Tobia Scarpa’s republished Monk chair have been featured within the “Letters to Milan” set up. As well as, numerous objects and equipment honouring Ponti’s legacy have been on show on the “Gio Ponti Objects” exhibition, which was organised in affiliation with the Ponti heirs and the Gio Ponti Archive.
With interiors created by Van Duysen to imitate the house of an artwork and design collector, the model’s flagship retailer, Palazzo Molteni, offered company with an immersive expertise by skillfully fusing fashionable and conventional kinds in numerous dwelling areas. Moreover, reiterating the model’s dedication to traditional design, Molteni&C unveiled a brand new armchair model and upgraded supplies for the famend “Monk” chair, which was first created by Afra and Tobia Scarpa in 1973.
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