Halcyon’s audacious new exhibition dubbed “Sacred & Profane” provides a up to date reimagining of spiritual iconography. Located at 148 New Bond Avenue, the exhibition will characteristic a dynamic vary of works by famend artists together with Mitch Griffiths, Andy Warhol, David LaChapelle, Robert Montgomery and rising abilities corresponding to Graceland London and Dominic Harris.
For hundreds of years, non secular artwork has performed a central function in society, conveying ethical narratives and non secular messages via work and sculptures. “Sacred & Profane” revisits these time-honoured traditions, mixing the sacred and the secular to discover how historic symbols and spiritual themes could be reinterpreted to deal with the urgent problems with right this moment. The result’s a group that not solely invitations reflection on spirituality but in addition challenges our perceptions of tradition, religion and modern life.
On the coronary heart of the exhibition is Mitch Griffiths’ dramatic oil portray Shrine (2022), which presents a modern-day Madonna topped with a drone, symbolising the influence of unmanned warfare within the digital age. Griffiths’ work — which attracts inspiration from the Baroque custom of Caravaggio — takes a daring step by tackling points corresponding to social media’s risks, environmental threats and consumerism via the lens of spiritual artwork.
Within the decrease gallery, the exhibition brings collectively highly effective works by David LaChapelle and Graceland London, in addition to a haunting {photograph} of Warhol taken by LaChapelle in 1986. Warhol’s iconic silkscreens of skulls are juxtaposed with LaChapelle’s surreal depictions of movie star fame, and mortality, whereas Graceland London’s items bridge the legacy of Pop artwork with Christian iconography, additional exploring the intersection between the sacred and the profane.
Santiago Montoya’s vibrant murals supply a singular political dimension to the exhibition, along with his use of banknotes from all over the world to create artwork that speaks to problems with nationwide identification, energy and politics. In the meantime, Robert Montgomery’s conceptual sculptures — which take inspiration from church altarpieces — mix the sacred with poetic verse, providing a renewal of the non secular via modern language.
Spanish artist Pedro Paricio reinterprets works by “Outdated Masters”, mixing classical motifs along with his kaleidoscopic, dynamic fashion. His vibrant canvases invite a contemporary have a look at conventional non secular themes, set towards a backdrop of contemporary inventive innovation. Digital artist Dominic Harris — returning to Halcyon along with his immersive interactive environments — makes use of expertise to create items that have interaction immediately with artwork historical past, providing a up to date tackle timeless themes corresponding to start, life and dying.
Kate Brown — inventive director at Halcyon — displays on the importance of the exhibition stating, “At Halcyon, we signify artists whose work interacts with artwork historical past in extremely nuanced and highly effective methods, each in homage to the previous and as a strategy to spotlight what’s distinctive in regards to the modern interval. In immediately addressing our time, their work is extremely poignant for a contemporary viewers.”
“Sacred & Profane” made its debut to the general public on 27 February at Halcyon, 148 New Bond Avenue. The exhibition guarantees to be an unmissable exploration of how artists proceed to push the boundaries of spiritual artwork, making it related to right this moment’s world.
For extra info, go to www.halcyongallery.com.
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